As a technique, tie-dye has been used for centuries by many different cultures, having arisen independently multiple times. Restrictive dying practises can be traced to Senegal, Nigeria, Egypt, China, Indonesia, India, Peru and Japan. It is thought the practise was popularised in America in the late 60s by the Peace Corp volunteers returning from West Africa. So, tie-dye became synonymous with the counterculture movement and was a way of unashamedly signalling non-conformism in a politically tumultuous America. It was later recycled by the 80s punk movement as well as 90s raver scenes; all prominent reference points for many modern designers.
It is hard to ignore the tie-dye’s current surge in popularity, awoken from a dormant state of being reserved to a summer camp activity, is timed with an increasingly unstable political, economic and cultural climate. While there is an unavoidable element of trend and commercial appropriation, in its newest manifestations, the feelings of rebellion, hope and unpretentiousness have been rekindled and reconfigured for the modern context. The whole essence and appeal of tie dye is how it is a transformative and regenerative practise, imperfect and accessible. This permeates through tie-dye, making it both consciously and unconsciously appealing. It is a vessel of playfulness and vibrancy as well as historical context.
Enjoy a retro clip from BFI Player below of a tie-dye tutorial below: